Intersecciones: Literaturas, culturas y teorías contemporáneas, Universidad de Oviedo
Publicaciones:
Rodríguez González, C. (2017). Geographies of Fear in the Domestic Noir: Paula Hawkins’ The Girl on the Train. Miscelanea: A Journal of English and American Studies, 56: 109-127.
Rodríguez González, C. (2017). Bodies on Display: Affective and Spatial Practice in Zoë Strachan’s Negative Space. Revista Canaria de Estudios Ingleses, 74: 55-72.
Durán Almarza, E. M., Rodríguez González, C. y Kabir, Ananya J. (Eds.). (2017). Debating the Afropolitan. European Journal of English Studies, 21(2): 107-215.
Rodríguez González, C. (2016). The Rhythms of the City: The Performance of Space and Time in Suhayl Saadi’s Psychoraag. Journal of Commonwealth Literature, 51(1): 92-109.
Rodríguez González, C. (2015). An Orcadian Metamorphosis. Embodied Spaces in Luke Sutherland’s Venus as a Boy. Anglistik: International Journal of English Studies, 26(2): 161-173.
Rodríguez González, C. (2015). Recharting the Black Atlantic: Jackie Kay’s Cartographies of the Self. Etudes ecossaises, 17: 103-119.
Rodríguez González, C. y Matthews, K. (2013). Escritoras escocesas en la nueva literatura nacional. Palma: Servicio de Publicaciones de la Universitat de les Illes Balears, Colección English Studies.
Rodríguez González, C. (2008). A Dialogue with Literary Theory: A.S. Byatt’s The Biographer’s Tale. English Studies, 89(4): 447-460.
Rodríguez González, C. (2008). "Scotland, Whit Like?" Coloured Voices in Historical Territories. En M. F. Borch, E. R. Knudsen, M. Leer y B. C. Ross (Eds.), Bodies and Voices. The Force-Field of Representation and Discourse in Colonial and Postcolonial Studies (pp. 363-377). Ámsterdam y Nueva York: Rodopi.
Rodríguez González, C. (2007). Biographical Improvisation in Jackie Kay’s Trumpet. Scottish Studies Review, 8(1): 88-100.