Grupo de Estudios Cervantinos (GREC), Universidad de Oviedo
Publicaciones:
Serrano González, R. (2017). “El curioso impertinente” y “El semejante a sí mismo”: Cervantes y Alarcón sobre las identidades hegemónicas en su tiempo. Destiempos. Revista de Curiosidad Cultural, 55, 7-25.
Serrano González, R. (2017). Cervantes’s interpolated novels in The Comical History of Don Quixote. Cuadernos de Investigación Filológica, 43. En prensa.
Serrano González, R. (2016). Jealousy and Male Anxiety: Articulations of Gender in “The Curious Impertinent” and The Amorous Prince. The Grove: Working Papers on English Studies, 23, 145-159
Serrano González, R. (2016). The interpolated story of Cardenio and Dorotea on the English stage. Meridian Critic, 27, 79-92.
Serrano González, R. (2014). Ideal and Unnatural Femininities in The Double Marriage: A Tragedy. En M. Hedenborg-White y B. Sandhoff (Eds.), Transgressive Womanhood: Investigating Vamps, Witches, Whores, Serial Killers and Monsters (pp. 165-174). Inter-Disciplinary Press.
Serrano González, R. (2014). La recepción de Marcela en The Comical History of Don Quixote. En E. Martínez Mata y M. Fernández Ferreiro (Eds.), Comentarios a Cervantes. Actas Selectas del VIII Congreso Internacional de la Asociación de Cervantistas (pp. 815-824). Asturias: Fundación Mª Cristina Masaveu Peterson.
Serrano González, R. (2014). Don Quixote’s Cross-dressed Pirate on the Jacobean Stage: A Defence or a Challenge to Gender Essentialism? En E. Álvarez López et al. (Eds.), Building Interdisciplinary Knowledge. Approaches to English and American Studies in Spain. (pp. 229-236). Oviedo: KRK
Serrano González, R. (2014). Female Quixotism: Conformity or Subversion? An analysis of Charlotte Lennox's Angelica; or Quixote in Petticoats. En A. Moreno Álvarez e I. Pérez Fernández (Eds.), New Alleyways to Significance: Interdisciplinary Approaches to English Studies. (pp. 109-120). Palma de Mallorca: Universitat de les Illes Balears.
Serrano González, R. y Martínez-García, L. (2014). How to Represent Female Identity on the Restoration Stage: Actresses (Self) Fashioning. International Studies Interdisciplinary Political and Cultural Journal, 16(1), 97-110.